original spaceboy
The Great Pumpkin's new solo record, The Future Embrace, threatens to herald a new era of Billy Corgan-reckoning, and blog tributaries could never be anything more than just commonplace...or so it would seem. I found this discovery (excerpted from his blog [yes, his blog] at billycorgan.com) mildly mind-blowing:
"...Each morning at 4:45 is the first call to prayer...the hotel islocated just next to the Haga Sophia, which is one of the most famous mosques in the world...so it figures that the man doing the sing-song call to prayer in the morning would be one of the best in the land...it is so hard to describe, but this man singing is like JimiHendrix (playing the national anthem) with his voice...when he starts up, so do another 100 mosques as well...the whole city lights up with sound, and in my half-awake state, I feel this man singing to me right thru my soul...he is distorting his voice with the colour of 2,000 years...and then it hits me, the sound I am seeking for the record...the ancient sound of life and love mixed with a overloaded distortion that is earthen...the sound of this man singing becomes my template for the sound of Adore...now I know why we are here..." -- Billy Corgan, reflecting on first hearing the azan (Islamic call to prayer) whilst in Turkey, and the unlikely (but true) inspiration for the Smashing Pumpkins' fourth studio record.
Adore remains a severely underrated -- a dark, unpopular sibling of its strapping predecessors Siamese Dream and Mellon Collie & the Infinite Sadness. To learn of Billy's (yes, I'll damn well call him by his first name as I damn well please, whether he likes it or not, and whether anyone else likes it or not...with all due respect it is, after all, still my blog) reasoning and real inspiration behind that black, yet beautiful record is like reaffirmation worth a thousand squandered moments.
I have invested a sinful amount of time pointlessly pondering this reality -- the jarring effect of dogma (what to me has been a thoroughly distrubing anomaly, in the context of the effect it brings on music) on art, which is to me, is and should always be preserved to be, one of the everlasting symbols of human purity and non-judgement.
...so it's just as well that only a dreamer like Billy could dispel this reality with such grace, magnitude and conviction (credibility? critics and detractors will have other thoughts).
Me, being born a Malay muslim, God-fearing, primary school-going Malaysian male morphed into unintentional scribe & default/helpless alternative rock child -- your "Asian in a cold country" -- as opposed to Billy, being born a white, American male morphed into free-thinking, God-damning androgyne poet/alternative rock child.
The two shouldn't ever have anything to do with each other, in a PC world...but who woulda figured? How's that for mind-blowing...










